Artnet Auctions – Live Now: Piotr Uklański, KAWS & More
Contemporary Finds
Last Chance To Bid
Don’t miss the chance to acquire cutting-edge contemporary works in our Contemporary Finds sale.
The work above is by Polish artist Piotr Uklański, who works in various mediums, from painting to film to pencils. His work has been widely exhibited at institutions throughout the world, including Gagosian Gallery, Whitney Museum of American Art, and the Museum of Contemporary Art.
Bid on works by renowned artists like this, and more, before the sale closes on April 25
40 Under 10
Live Through April 27
40 Under 10 offers a range of exceptional prints and multiples, each for $10,000 or under.
Browse and bid on works by key contemporary names, such as Alex Katz, Loie Hollowell, Ed Ruscha, Katherine Bradford, Genieve Figgis, Nicolas Party, Terry Winters, Donald Judd, KAWS, Invader, JR, and many more.
Be sure to place your bids now through April 27.
Damien Hirst: The Virtues
Live Through April 27
Discover Damien Hirst’s The Virtues—a set of eight laminated giclée prints on aluminum composite panel, depicting blooming cherry blossoms.
Best known for powerful works that confront the fundamental elements of life, death, and love, Hirst ruminates on the transience of beauty in Virtues, as vibrant cherry blossoms flower against a bright blue sky.
Discover the full series and place your bids before lots begin to close at 2:30pm EDT on April 27.
Current Exhibition on Artnet Galleries
The sales don’t stop with Artnet Auctions. Home to thousands of member galleries, the Gallery Network offers additional opportunities to collect. In each newsletter, we’re spotlighting a different exhibition, currently live on Artnet Galleries.
Simon Lee
Paul Georges: Abstracting The Figurative
April 20-May 25, 2023
London, United Kingdom
Simon Lee Gallery is proud to present the first U.K. solo exhibition of American figurative painter Paul Georges (1923–2002). Spanning nearly five decades of his career, this ground-breaking exhibition documents an oeuvre that defies simple categorization rejects the stylistically dominant trends of Post-War American art and offers cutting observations of the political, artistic, and social life of Georges’ time.
